I went to see Quantum of Solace because I liked Daniel Craig as James Bond in Casino Royale, and because I always take my husband to opening weekends of all good new action movies. I’d already heard reviewers complain that this new Craig/Bond was insufficiently Bondish—i.e., not enough jokes, too much heavy emotion, too many similarities to other, un-Bond-like traditionally-vengeful action heroes, not enough Bond-techy gimmicks and vehicles, too few glam locales. And what to make of the movie’s weird politics? And of Bond’s lack-of-sex with his sexy new love interest? I went to see for myself.
I liked the movie very well. I thought it was very effective, violent, destructive, action entertainment, for those who enjoy this genre. I thought it was definitely worth the price of admission. Even if it was only part of a to-be-continued movie, it was a very complete and satisfying part, setting up well the Craig/Kurylenko movie(s) to follow, which will tantalizingly develop Bond’s budding romance with this particularly ravishing new heroine.
I thought Olga Kurylenko was great. She reminded me of what I love about Catherine Zeta-Jones. I hope she will endure as an unkicked-aside Bond sidekick for many films to come. How much more can Bond evolve, than to stick with one woman?
I liked this movie’s (admittedly undeveloped) politics. I was glad the writers went to the trouble to imply that good and bad actors can be found in every nation and every endeavor, and that all of us will have ample opportunities to participate–or not–in increasingly rampant opportunities for corruption, greed, crime, terrorism, hypocrisy, war, cruelty, espionage, exploitation, backstabbing and wanton violence, especially as enhanced by the global contest for dwindling resources—oil, water, money, what have you….
I also enjoyed the side-talk references affirming vengeance as both a very powerful and tempting human motivation and an unsatisfying one, and forgiveness—of oneself and others—as essential to sanity and peace. Very un-traditional un-Bondian stuff. Very New Age perspectives. And also very true.
This Bond movie didn't disapoint my expectation for novelty, either. I don't think I'm alone in my curiosity about life in desperately poor third world locales like Port au Prince, Haiti, or about glamourous off-the-beaten-track cultural events like traditional bareback horse racing in the public square, and exotically-staged modern operas.
I also loved the new holiday Coca-Cola commercial which preceded the movie. Taken together, the new commercial with the new Bond movie, I got a heady whiff of what our millennial creatives are all about and up to these days: philosophical acceptance of an imperfect “what is,” along with real commitment to making “what is” better, through positive, ideologically indifferent, large and small, person-to-person, moment-to-moment, choice-by-choice contributions in gray areas and complex moral situations, in whatever way they can.
Thus, I saw variously flawed and well-intentioned players in the movie and the commercial persist in acquiring the necessary wisdom and clout to act well their parts and support one another when and where it mattered most—that is, when push came to shove. These creatives and the crowds they are playing to believe in the power of acceptance, forgiveness, inclusion, diversity, and best of all, in one person’s ability to make a difference and find a quantum of solace within such caring moments.
I liked watching Daniel Craig’s Bond try to do his best with his very limited but amazing personal resources. I enjoyed watching him courageously try to make some sense of a morally chaotic world, and seek meaningful ways to contribute and endure. Craig’s Bond is a unique and powerful Everyman perfectly suited to today’s audiences.
I don’t miss the grand old Bond clichés. That was then. This is now. Welcome back, Mr. Bond.
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